Thursday, December 3, 2020

That completion feeling

Bam! Not something that occurs too often here, but that is 299 figures completed. Actually, it is more appropriately; pop. While that number may sound all smarty-pants productive; some truth in publication is appropriate.

Initial French (on left) and German (right) armies for my first foray into wargaming the First World War.

I began the French, some 95 of them, back in December 2019 and had them 'all but' completed by February this year. I then added in some Germans (110) and brought them to a similar stage around April. My plan was to put the finishing touches on them while painting other figures (for Napoleonic and Great Northern wars). Then, that breadth of interest that is the bane of many wargamers came into play.

February: under-coated Germans (nearest camera and nearly completed French (furthest and below) arrayed on my scratch build trench system.

April: Germans (now also nearly completed) and French awaiting basing and black-washing

Having picked up a copy of the Twilight of the Sun King rules, I focussed on the Great Northern War figures, getting sufficient of them to a stage of 'good enough' for a first test game in May (these figures still await their finishing touches).
August: waiting for final touches and varnishing

  

After a few slow months in winter, come August, the plan was (and remains) to focus on early Napoleonics (revolutionary) with some late 17th/early 18th century themed troops (for Austro-Turkish, Great Turkish, Ottoman-Polish, Lithuanian Civil and Great Northern wars) thrown in. That, of course, left the First World War figures sitting there in a not-quite-yet finished state—'in the bush, but not in the hand'.

It's funny how my brain works, but, painting brown for animal skins on Ottoman Deli cavalry and back packs French revolutionary/Napoleonic infantry lead me to bring the First World war figures to the front of the queue, including adding in a few more!

This time, I decided to finish them all. So, I got up to my ears in feldgrau and horizon blue.

I'm looking forward to doing a test game, using the Westfront rules, using what I have so far.

Friday, November 6, 2020

Master builder

The lie, or at least tongue-in-cheek nature of the title of this post will be immediately evident from the images at right and below. A good model-builder I am not, but I have been enjoying myself this week building some plastic model kits, recalling why I made so many of these as a kid/youth.

Having completed the base coat and black wash of the additional German infantry in gasmasks and French artillery crews with their 72 mm cannon (shown at the end of this post), I decided to put together some large guns that I can start to paint as I apply the final touch-up to the aforementioned figures. I decided to make a couple of aircraft at the same time. I had put together an Airfix Mk 1 tank last year, which was the first model kit that I had built in years.

First in line was a German 21 cm mörser 10 from Strelets. I have heard that these are tricky things to put together, so I gathered as much information as I could before beginning—the instructional image from the box and additional information on their website—and took my time putting it together, assessing where the pieces should go before applying any glue.

Box artwork and assembly instructions.

Additional instructions provided on the Strelets website.

Despite what seem to be detailed technical drawings, albeit it without step-wise instructions, there were two pieces that I either could not work out where to put or that were not shown in the diagrams, viz. the adjustment wheel to the left of the breech and the one that goes on the front of the undercarriage. Fortunately there are clear photos of extant examples of these artillery pieces on the internet. Those of the gun that is outside the Victoria Barracks in Melbourne were most suitable (and perhaps are what the model was based on in the first place?).

One of three excellent photos of a 21 cm mörser outside the Victoria Barracks in Melbourne—I must go and see it when I am next over there (Source: Wikimedia Commons).

My finished article. I'm happy with it. A coat of paint will hide many sins!

 
I put together an Airfix Fokker Eindecker at the same time as I was building this howitzer. This was completely the opposite experience, with step by step instructions and clear diagrams. That said, strangely I made fewer mistakes with the howitzer. I suspect that this was due to the fact that I had to concentrate, deduct and interpret where the various parts fitted together.
Airfix Fokker E. III Eindecker. The black colour on the wing is from me using up some left over paint from undercoating the pilots and gunner of this and the Roland C-11 below.

Next, I decided to construct a French 155 mm cannon GPF (Grande Puissance Filloux), also produced by Strelets. This had the same type of instructions, but was a far simpler model to make. Once again, two adjusting wheels were not shown on the diagram, but a quick internet search yielded a photo from the Imperial War Museum that showed where to place them. I did need to add some putty to provide a base to which to attach them.

Box artwork and instructions for Strelets 155 mm Cannon GPF Mod 1917.

The finished product (construction, that is).

An Airfix Roland C-11 was the plane that I made while constructing the 155 mm cannon. Another kit that was easy and fun to assemble.

Completed Roland C-11 ready to paint.

75 mm cannon and crew (left front) and German infantry in gasmasks (left rear) awaiting basing and final touch-up, along with French and German infantry that are ready to varnish.


I'll put some paint on the completed guns and aircraft, along with the gun crews, when I am applying the finishing touches to the above infantry and 75 mm cannon.

 

Thursday, October 29, 2020

Book and Troop Review: Les Fantassins de la Grande Guerre and First World War German Infantry

I was looking for a single volume that would cover the uniforms of the First World War, following my decision to have a go at wargaming the period. Unlike my beloved Napoleonic period, I did not feel the need nor desire to purchase several books on the topic. Nevertheless, I wanted more than one can get from internet sources. I looked at some of the books readily available in English, but could not find anything beyond those from Osprey. I have never been particularly enamoured with Osprey’s offerings and did not want to purchase three or four books and then only have information about the Germans and French, so I looked further.

Along came Éditions Heimdal to the rescue. I found Guillemet’s book on their website in March and it looked to be exactly what I was after, so I ordered it immediately. I was not disappointed in the least.

Published in 2018, its 256, A4 pages are packed with full colour photographs of uniforms, uniform items, equipment and weapons. These are enhanced by contemporary photographs of troops in the field and the studio. Together they provide a photographic description of the uniforms from 1914–1918, presenting all of the items that I could want and highlighting changes over the course of those four tumultuous years of war. The text and captions, describe details of what is shown in the photographs.

The items presented in the book come principally from the Musée royal de l’armée et de l’histoire militaire de Bruxelles. They have been photographed with excellent lighting and compositions so that details, colours and event texture can be clearly discerned.

Example of pages featuring items of equipment and a contemporary photograph (studio in this case).

Example of a double-page spread showing a mannequin in uniform and different styles of greatcoat.

Table of contents: all nations are included.

In line with my desire, infantry uniforms for all of the belligerents are presented; France, Germany, Serbia, Russia, Belgium, Britain (and Dominion), Austria-Hungary, Japan, Italy, Portugal, Bulgaria, Rumania, Czechoslovakia, Poland, United States and Turkey. More pages are devoted to the key, European powers than to the ‘lesser’ ones. However, there is great efficiency in the images and text so that the main details and changes in uniform of troops of a nation like Portugal are covered adequately (for me) in two pages. The colonial forces of the main powers are also included.

A nation like Portugal is covered in sufficient detail
in just two pages

As you will have gathered from the title, the text is in French. It is clear and straightforward enough that I am able to comprehend it easily with my intermediate knowledge of the language. However, if you do not read French, the images are sufficiently self-explanatory, and numerous, as to be comprehensible in their own right.

This is a fabulous book for anyone interested in uniforms and equipment of the First World War. If, like me, you are looking for the one book, this is it.

Ten Napoleons

Troops: First World War German infantry

German Army basically ready to go

My approach of having large numbers of figures, across a few periods, on the go at once means that I may swap and change what I am painting on any one night. It also means that my focus is quite, ‘fluid’. The past couple of weeks have been a case in point. I had intended to focus principally on the first couple of units for my 17th–19th century Ottomans but, while I have made some progress with them, I have ended up making most progress with First World War Germans!

The Deli cavalry, showing brown applied which lead to a painting First World War infantry!

I began painting the Deli cavalry for the Ottoman army, as planned, starting with browns for the animal skins that they wore. Then, since I was painting brown, I looked for other troops to use up the paint that I had ‘decanted’. First World War Germans with all that brown kit were an obvious choice!

The Germans I am painting are aimed for mid-late war and are a mix of Caesar WWI German Army, Emhar German WWI Infantry with Tank Crew and German WWI Artillery and Strelets German Stormtroops and German Infantry in Gasmasks. The Caesar and Emhar figures are sculpted somewhat ‘finer’ than the Strelets. I’m happy with all of these figures, but particularly like the ‘chunky’ style of these earlier Strelets’ offerings.

From left: Strelets, Emhar, Caesar and Strelets figures. These mix well, I reckon.
A Strelets flame thrower between two Emhar figures.

Strelets produced British, French, Russian, Austro-Hungarian and German Infantry in gas masks as part of their range of figures for the First World War. The Germans are now out of production, so I did not think that I’d be able to get any. Fortunately, a tip on the Strelets forum lead me to Fausto Mancin at the Lucky Toy Soldier and I was able to obtain a set from him. I like them so much that I may even get another box.

Strelets German Infantry in gas masks, almost completed,
Hart wie Kruppstahl
 
The Emhar WWI German Artillery includes two 77 mm Krupps field guns and four MG 08 machine guns. Interestingly, there is a surviving Krupps field gun beside the cenotaph in town that was captured near Villers-Bretonneaux in August 1918. It's nice to be able to compare the model with the real thing. The machine guns in the kit come with only a single crew man, so I did some simple conversion work with some of the artillery loaders to turn them to feeding machine gun ammunition.

77 mm Krupps field gun beside cenotaph in York, WA


The adjacent cenotaph and detail (below).

Second model 77 mm Krupp field gun, staff and one of the MG 08 machine guns with added crew. The kneeling officer in the machine gun crew is a conversion with legs remove and replaced with those from a kneeling Airfix French cuirassier.


With these Germans nearly completed, and just a few more French that I want to also finish off, I am now really close to having a go at a first game of World War I wargaming. I may get to start this weekend and/or week nights next week.


References and links

Guillemet, C (2018) Les Fantassins de la Grande Guerre. Éditions Heimdal, St Martin-des-Entrées, Bayeux, France. 256 pp.

Caesar Miniatures website

Emhar range on Plastic Soldier Review

Strelets’ World War I sets






Monday, October 19, 2020

Book Review: The Armies of the Ottoman Empire 1645–1718 by Bruno Mugnai

With its 369-page paperback format weighing in at 800 g (~1.8 lb) (thanks to the use of heavy, quality stock), Bruno Mugnai’s book is a dense and mighty tome, physically and this translates directly to the subject matter. The quality and detail begins with the preface pages—which feature a detailed, six-page chronology, introduction from Barry Hilton along with the author’s prefaces to the original and revised editions and a note on the Ottoman currency—and continues through the book’s six chapters (incorporating 16 pages of beautiful, full-colour plates), to the 30 pages of tabular data and orders of battle and, finally, to the notes on the colour plates, glossary and bibliography. All told, this book is a treasure-trove of detailed content delivered in a clear and beautiful presentation.

I’m not the first to wax lyrical about this book. Having purchased it, I read the rave reviews of Colin Ashton, ‘BalkanDave’ and Barry Hilton. It is always pleasing to be encouraged about the quality having made a purchase! Now, having read it, I agree wholeheartedly with them all and echo Barry Hilton, who wrote the foreword and concludes; “Enjoy this masterful work. It sets the benchmark for others to follow.”

The first four chapters (The Sublime Porte, The ‘Ottoman Commonwealth’ and the Sultan’s Allies, Ottoman Armies, Allies and Tributaries) comprising half of the book, serve as a detailed introduction to the Ottoman Empire, its armies and allies. ‘The Sublime Porte’ describes the Ottoman Empire in the 17th century, the structure of the state, government and military, land tenure and administrative areas. The second chapter follows with an introduction to each of the peoples or states that were satellites or allies of the Ottoman Empire (Tartars, Transylvania, Wallachia, Moldavia, North African Regencies, Georgia, Cossacks, Persians and Swedes), with a brief history of each, their association with the Ottomans and conflicts, both with and on behalf of the Porte. The chapter on the ‘Ottoman Armies’ covers the size and structure of the army and, for each troop type, details its formation, structure, size and involvement in peace and war. This is followed by ‘Allies and Tributaries’, which covers similar content for the Tartars, Transylvanians, Wallachians and Moldavians.

The final two chapters (‘The Ottoman Art of War’ and ‘Dress, Equipment and Ensigns’) comprise the second half of the book’s text. Here Bruno Mugnai draws upon the great detail of the preceding chapters, including units, command structure and army make-up to discuss in detail how the army gathered and fought and, finally, how the various troop types were dressed and equipped.

Mugnai begins his discussion of the Ottoman Art of War, appropriately, with logistics, demonstrating how the Ottoman Empire was well set-up to provide all the necessarily matériel for war (reminding me of a key strategy in Civilization!). He then describes how the army gathered for war, its command structure, overall strategy and some detailed examples of campaigns and battles—using the Austro-Ottoman war of 1663–64, a detailed account of the campaign and siege of Vienna in 1683 (and it’s consequences), plus the Russo-Ottoman War of 1710–11 and Austro-Turkish War of 1716–1718. The chapter on uniforms and equipment provides details for each troop type in both the imperial (kapikulu) and provincial (serhaddkulu) forces including, most usefully, a detailed section on flags and pennants.

Every page of this book is dense with content. For example, the section of the first chapter dealing with command of the army is interspersed with mini-biographies of several of the Grand Viziers during the period covered by the book. Not only are these informative and interesting in their own right, but they serve to illustrate and expand on the general information about the process of appointing commanders in the army, its pros, cons and impacts. While packed full of detail no prior knowledge is assumed; introductory information is provided, terms and titles are defined. By not assuming knowledge, readers are not ‘lost’, but the level of detail and specific information, from the very beginning, adds insights and particulars which make the book extremely edifying.

The text of each chapter is well-supported by maps, diagrams, drawings and reproductions of prints. In addition to the 16 pages of superb colour plates (an example of which is on the cover),124 pages of the book contain some kind of black & white illustration (map, diagram, drawing or reproduced print), many of them as full pages. A bit of a bonus is that one of Bruno Mugnai’s drawings that appears in black & white on p 261 is reproduced in colour on back cover of the book.

The book contains several clear maps
Black and white photographs of uniform items from various museums and collections are accompanied by detailed descriptions, including colours.
'A Janissary Assault', an example of the author's drawings (including troops, uniforms and representations such as this).
Several prints of period paintings also adorn the book.

The book’s appendices are an absolute treasure trove. Here you’ll find a list of Grand Viziers 1645–1718, tables of army expenditure, numbers of troops by type and region, orders of battle for Ottoman troops in the campaigns between 1663 and 1718, specifications of cannon, howitzers and mortars captured after Peterwardein in 1716, a description of the procession of the Ottoman army in Constantinople in 1682 and tables of the major sieges and field engagements involving the Ottoman army (listing place, date, name of the war/conflict, Ottoman strength, enemy strength, casualties for each side and result). Finally we have the notes on the colour plates the glossary and bibliography. The only thing missing is an index (which is a shame).

This English edition is an “expanded and revised” version of the original work, which was published in 1998 in Italian. I have read a review of Mugnai’s book about the Cretan War bemoaning the number of poor translations that greatly affected the comprehension of that book. This is not a problem here. The text is written in clear, quite formal, English. There are occasional incidences of expressions that are not common English, for example “The most large contingents came from the…” instead of ‘largest’, but these are very few in number and none of them affect comprehension of the text.

There are, however, a few errors, such as missing words smattered through the book. These number in but a handful and are chiefly things such as conjunctions and articles, so do not impact on the reader’s understanding, but they are annoying and a little disappointing. The worst error in my version of the book is that most of a sentence is missing at the beginning of the last paragraph on p. 271. It thus begins. “ancient origin.” then proceeds to the next, complete sentence. Fortunately, there is enough of the paragraph to make it intelligible. Without these few mistakes I would have given this book a perfect score of ten Napoleons!

Many books about armies and uniforms leave you asking, what about x troop type, or what was the organisation of y unit? Not so with this tome. You’ll not find here the phrase “there is insufficient space to cover this”, as appears too often and annoyingly in other books about armies and uniforms. The majority and certainly the key information about organisation, structure, strength, operations, tactics, campaigns and uniforms are all covered.

Reference and Information

Mugnai, B (2020) Wars And Soldiers In The Early Reign Of Louis XIV. Volume 3 The Armies of the Ottoman Empire 1645-1718. Century of the Soldier 1618-1721 No. 55. Helion & Company, Solihull, England. 369 pp.

Sunday, October 11, 2020

Chipping away

'Things Ottoman' are leading my hobby interests in periods 'other than Napoleonic'.

Following on from reading Alan Palmer's book on the decline and fall of the Ottoman Empire, I recently obtained a copy of Bruno Mugnai's marvellous The Armies of the Ottoman Empire 1645–1718. I'll review this book in full in a future post, but for now, suffice to say that it is  excellent and if you have any interest in this period, buy it!

First figures for my Ottoman army in the pipeline: Deli cavalry from Orion

More in the pipeline: sipahi ulùfely (Orion) in foreground with Beck infantry regiment (Mars) and Sobieski's Poles (also Mars) behind them.

This book is perfect for my expanding interest in the Ottoman Empire, which has gone backwards from initially considering a Napoleonic Ottoman army, to including their part in the Great Northern War (Russo-Ottoman War of 1710–11), then back further to the Great Turkish War (1683–1699). This has expanded further to include the Austro-Turkish War (1663–1664), Polish-Tartar War (1666–1671), Polish-Ottoman War (1672–1676), Austro-Turkish War (1716–1718) and out to the Russo-Turkish War (1787–1792) & Austro-Turkish War (1788–1791)—which meld well with early Napoleonic. An Ottoman army of the 17th and early 18th centuries is a 'good value' proposition, requiring but a few different units for the Napoleonic Mamluk/Ottoman version!

I am also getting close to having a go at 'something First World War', after taking the initial plunge into the period late last year.

Some of the First World War figures that are nearly completed.


Wednesday, September 16, 2020

Book Review: The Decline and Fall of the Ottoman Empire

Alan Palmer’s book was a natural first choice for me in my quest to gain greater knowledge of and understanding about the Ottoman Empire—driven by my general interest in history and specific wargaming interests in the Great Turkish War/Great Northern War, the French Revolutionary/Napoleonic Wars (especially) and also the First World War. I read Alan Palmer’s book “Napoleon in Russia” in my youth and it remains, to my mind, a fine account of that momentous campaign. I thus consider him to be an excellent writer of history and a ‘trusted source’. His book about the final days of the Ottoman Empire, all 87 294-odd of them, did not disappoint.


Palmer begins the book with a prologue, which opens with the capture of Constantinople by the Ottomans in 1453. In this section he briefly describes the origins and formation of the Ottoman Empire, the system of government and administration and character of some of the sultans from the period around the apogee of the empire. The book proper begins with the second Siege of Vienna (July–September 1683) and the momentous Battle of Kahlenburg, which Palmer uses as his beginning of the decline of the Ottoman Empire. He describes the campaign and siege in some detail, with regards the main protagonists, the key battles and events, but, unfortunately, there is little specific information regarding the military aspects or forces involved.

The Battle of Kahlenburg and relief of Vienna was not decisive. That war, which has become known as the War of the Holy League or Great Turkish War, lasted for another 16 years with numerous battles and skirmishes, including several Ottoman victories, until its conclusion with the Treaty of Karlowitz on 26th January 1699. Following this, “the decline of the Ottoman Empire was neither rapid nor continuous. … against all expectancy, the Ottoman Empire outlived imperial Spain, republican Genoa and republican Venice, the elective monarchy of Poland, British colonial America, the vestigial Holy Roman Empire, Bourbon and Napoleonic France, and the temporal power of the Papacy; it even survived by a few years the Hapsburg and Romanov empires, so long its apparent residuary legatees, and the Hohenzollern empire which had aspired to overtake France as its chief creditor” (p. 32). His description and discussion of this long, slow decline—that was far from linear—fills the remaining 237 pages of the book.

The bulk of the book covers the period from 1700 to 1922, focussing on events, actions and personalities, both Ottoman and foreign, during the reign of a sultan (or sultans in the case of those with a brief tenure). The topic of each of these 14 chapters, in briefest summary, are the tulip era of Ahmed III; early attempts at ‘westernisation’ under Abdulhamid I; the mix of reform and conservatism, enlightenment and despotism of Mahmud II (with an additional chapter explaining the governance and role Egypt); the early losses during Abdulmecid’s reign leading Czar Nicholas to label the empire the ‘sick man’; the empire  ‘fighting back’, exemplified by Abdulmecid’s moves to create a Parisian-style capital and construction of the Dolmabahçe Palace; the ascent of Abdulmecid’s son Abdulhamid II (“Abdul the damned”), whose long reign in which he sought to rule absolutely covers four chapters; the rise of the Young Turks and coup of 1908, leading to Abdulhamid II’s acceptance of constitutional monarchy, then forced exile; the increasing German influence and eventual alliance with Germany in 1914 (which Palmer demonstrates was not as clear-cut nor certain at the beginning of the First World War as it can appear in retrospect); finally the immediate post-war period, partition plans of the Entente powers, rise of Mustapha Kemal Pasha establishment of the capital at Ankara and declaration of the Turkish state.

Black and white plates of photos and images feature some of the sultans, locations and buildings featured in the text.

These chapters are complemented by a list of grand viziers since the Ottoman capture of Constantinople, a list of alternative names for places described in the text, a detailed glossary, notes from the chapters and selected bibliography.

The book is an excellent entrée into the latter half of this fascinating empire with its origins amongst the steppe peoples of central Asia and li
nks to the Mongol and Byzantine (Roman) empires. I was interested to note key, perhaps stereotypical, aspects of these two former world powers that seem to have been at the core of the Ottoman Empire. These included the palace intrigues, the power of the army particularly the imperial bodyguard (Janissaries), the integration and acceptance of different peoples and religions (provided that they remained compliant) and ruthlessness towards them (and others) if they did not or it was politically expedient to do so. However, unlike either the Roman or Mongol empire the Ottoman Empire was resistant to change and not a great adopter of technology or traditions of conquered peoples.

Palmer describes attempts by several sultans to ‘modernise’ or ‘westernise’ the Empire, only to fail due to the reactions of vested interests and inherent conservatism. A measure of success came with Mahmud II in 1839 who was wily and astute enough to stack key offices with officials of a like-mind prior to acting (an approach that is in use, or at least attempted, by leaders today). Palmer concludes that a driver in going to war in 1854 was the need by Mahmud II’s successor, Abdulmecid to wage “a victorious military campaign (that) would finally silence the critics of westernization” (p. 122).

There are numerous interesting ‘asides’ throughout the text. I learned of the 1873 stock market crash, which began in Vienna and created what was referred to as the Great Depression up until the 1930s. Mother Theresa’s origins, the daughter of an Albanian and a Serb born in Macedonia, hence “…an Ottoman subject by birth…” (p. 198). How, during negotiation of the peace treaty of San Stefano in March 1878, which ended the Russian-Turkish war of 1877, Otto von Bismarck had commented that he did not wish to see the whole continent plunged into war because of friction between Vienna and St Petersburg (p. 155)—prescient indeed.

It was interesting to me too how early in time tensions developed between the British and Russian empires as they jostled for position and influence in ‘the east’ (which I related back to my recent reading of “Setting the East Ablaze” by Peter H
opkirk). The agreements of these two powers helped to create the partition of Cyprus, which exists today. Of course, the partition of the middle east between the victors following World War I is another foreign intervention that has had long-lasting impacts.

So, why did the Ottoman Empire fall?

Naturally there is not a simple answer to this and I do not wish to give away Alan Palmer’s discussion throughout the book and particularly in his concluding chapter. Suffice to say that he points to the position of the empire, the effects of being at the intersection of geography, ethnicity and religions and attempts to balance these forces, as major factors in its demise.

The Ottoman Empire lasted for six centuries, in round figures. Palmer’s narrative presents a marvellous juxtaposition of the ‘final’ 239 years of its existence. Conservatism mixed with a certain dynamism, inclusion mixed with subjugation and attempting to deal with the ‘great powers’ for its own perceived benefit while each of them was working squarely on their own interests and against their rival(s). This large and diverse empire, militaristic at heart, situated at the crossroads of continents and cultures was at the heart of most European intrigues and conflicts of the 17th to 20th centuries.


Reference

Palmer, A (1992) The Decline and Fall of the Ottoman Empire. John Murray, London. 306 pp.